Education
2011 M.F.A in Glass, The University of Texas in Arlington, Arlington, TX
2004 B.A. in American Studies, Minor in History, The University of Texas at Austin, Austin, TX
Academic Positions
2013-Present Head of Glass Program, The University of Texas at Arlington, Arlington, TX
2014-Present Assistant Professor of Practice, The University of Texas at Arlington, Arlington, TX 2013-14 Visiting Assistant Professor of Practice, The University of Texas at Arlington, Arlington, TX
2011-13 Adjunct Instructor, The University of Texas at Arlington, Arlington, TX
2009-11 Graduate Teaching Assistant, The University of Texas at Arlington, Arlington, TX (Instructor of Record)
Academic Awards / Grants
2017 Outstanding Teachers Award, College of Liberal Arts, The University of Texas at
Arlington, Arlington, TX
Dean's Accolade Endowment Mentoring Award, College of Liberal Arts, The University of Texas at Arlington, Arlington, TX
McDowell Center’s Supplemental Faculty Research Grant, for International
Research, The University of Texas at Arlington, Arlington, TX
2016 Outstanding Service Award, The University of Texas at Arlington, Arlington, TX
2015 Teaching Award, The University of Texas at Arlington, Arlington, TX Outstanding Service Award, The University of Texas at Arlington, Arlington, TX
2014 McDowell Center’s Supplemental Faculty Research Grant, for International Research, The University of Texas at Arlington, TX
2013 Research Travel Grant awarded by the Vice President of Research
at The University of Texas at Arlington, Arlington, TX
2011 University Scholar, The University of Texas at Arlington, Arlington, TX
2009 Excellence Award for Graduate Research/Creative Activity, The University of Texas at Arlington, Arlington, TX
Work Experience
2016 Teaching Assistant, Matt Szosz and Anna Mlasowsky, Pilchuck Glass School, Stanwood, WA
2015 Artist Assistant, Mona Hatoum, Pilchuck Glass School Stanwood, WA
2014 Teaching Assistant, Richard Whiteley and Heike Brachlow, Pilchuck Glass School, Stanwood WA
2014 Hot & Casting Studio Coordinator, Pilchuck Glass School, Stanwood, WA
2012 Casting Studio Coordinator, Pilchuck Glass School, Seattle, WA Glass Studio technician, Pilchuck Glass School, Seattle, WA
Teaching Assistant, Norman Courtney, Pilchuck Glass School, Seattle, WA
2009-13 Technician IV, Glass Studio, The University of Texas at Arlington, Arlington, TX
2006-8 Teaching and Studio Assistant, Martin Janecky, USA
2006 Glass Studio Technician, Penland School of Crafts, Penland, NC
2004-6 Studio Assistant, Randy Strong, Berkeley, CA
2005-7 Studio Assistant, Laboratory Glass Apparatus, Scientific Laboratory, Berkeley, CA
Workshops Taught
2017 Materials Science: Glass, Ceramics, Metals, co-taught with Dr. Jane Cook
The Pilchuck Glass School, Stanwood, WA.
Materials Science: Glass, Ceramics, and Metals, co-taught with Dr. Jane Cook
The Corning Museum of Glass, Corning, NY.
2016 Visiting Artist Workshop, Toyama Institute of Glass, Toyama, Japan
Solo Exhibitions
2018 Traver Gallery, Seattle, WA (Upcoming: February 1- March 4, 2018)
2017 Considerations and Ants, S12 Gallery, Bergen, Norway
2016 What is Known is Unknown, Traver Gallery, Seattle, WA
2015 Light of Other Days, West TX A&M, Canyon, TX
2014 Décadence, Berlin Glas e.V., Berlin, Germany
Upside Down B, Red Arrow Contemporary, Dallas, TX (an Apophenia
Underground Collaboration)
2013 Mesophase, Ro2 Art: Downtown Project Space, Dallas, TX
2012 A Study of Motion and Gesture, PEEL Gallery, Houston, TX
2011 Glass Calligraphy, Craighead Green Gallery, Dallas, TX
Selected Group Exhibitions
2017 Momentum, The Toledo Museum of Art, Toledo, OH
Texas Glass, Nave Museum, Victoria, TX, curated by Eric Hess
Video Exhibition, Chrysler Museum of Art, Norfolk, VA, curated by Charlotte Potter
2016 Emancipation, Corning Gallery, Corning, NY, curated by Yuka Otani
It’s So Hot Right Now, 500x Gallery, Dallas, TX curated by Lindsey Brown
2015 InLight, 1708 Gallery and the Virginia Museum of Fine Art, Richmond, VA
(juried by Alex Baker, former Curator of Contemporary Art at the Pennsylvania Academy of the Fine Arts and associate curator at the Institute of Contemporary Art)
COExist, Gaffer District and Arts Council Gallery, Corning, NY (2 person)
2014 Taos International Biennial, David Anthony Fine Art, Taos, NM
(juried by Tina Oldknow, Curator of Contemporary and Modern Art, The Corning
Museum of Glass, New York, Herb Babcock, Stephanie Grilli)
48 TIMER FESTIVAL on NØRREBRO, KoncertKirken, Coppenhagen, Denmark,curated by Michael Mazurek
A Pack of Camels, A Zippo, and a Bottle of Jack, Galleri Rostrum, Malmö, Sweden, curated by Michael Mazurek
2013 Objectified, Ro2 Art: Downtown Project Space, Dallas, TX
NOFEST, .pdfazing digital media exhibition, Sophia, Bulgaria (Juried) Aurora, Outdoor Digital Media and Light Exhibition, Dallas, TX (Juried) Texas Art Now, Ft. Worth Community Arts Center, Ft. Worth, TX
Amarillo Entropy, The Power Station, Dallas, TX (An Apophenia Underground
Collaboration)
DallaSites: Available Spaces Performance, Dallas Museum of Art, Dallas, TX ( An
Apophenia Underground Collaboration)
My My Misfire, Deep Ellum Windows, Dallas, TX
2012 Award Recipient Exhibition (from Seeing, Seeing), Creative Arts Workshop, New Haven, CT (curated by Felice Frankel)
Master’s of Glass, the 2nd Generation, Ro2 Art, Dallas, TX (Curated by
Patricia Meadows)
2011 Thesis Exhibition, The Gallery at the University of Texas at Arlington, Arlington, TX
Seeing Seeing, Capturing a Moment, Creative Arts Workshop, New Haven, CT (Juried by Felice Frankel)
2010 Texas/Oklahoma Art Prize, Wichita Falls Museum of Art, Wichita Falls, TX (Curated by Janis Goodman)
Sustenance, 337 Singleton Blvd, Dallas, TX (Curated by Stephen
Lapthisophon and Anne Lawrence)
It Began With Experiments, Audible Gallery at the Experimental Sound Stage, Chicago, IL (Curated by Darryl Lauster and Stephen Lapthisophon)
2009 Stimulate, Craighead Green Gallery, Dallas, TX
2008 Emerging Texas Artists, Craighead Green Gallery, Dallas, TX
2007 SOFA Chicago, represented by Micaela Gallery from San Francisco, CA, Chicago, IL
Juried Publications
2016 New Glass Review 37, published by the Corning Museum of Glass, Corning, New York (juried by artist Geoff Isles, artist Silvia Levinson, Tina Oldknow (Senior Curator, Modern and Contemporary Glass, The Corning Museum of Glass), and Charlotte Potter (director of the Chrysler Museum of Art, glass studio, Norfolk, VA))
2015 New Glass Review 36, published by the Corning Museum of Glass, Corning,
New York (juried by artist Beth Lipman, Tina Oldknow (Senior Curator, Modern and Contemporary Glass, The Corning Museum of Glass), Angus M. Powers (Chair of Sculpture, Area Head Glass, and Associate Professor of Glass at New York State College of Ceramics at Alfred University), and artist/designer Laura de Santillana))
2014 New Glass Review 35, published by the Corning Museum of Glass, Corning,
New York (Juried by Paul Haigh, principal, HAIGH Architects + Designers,
Greenwich, Connecticut; Tina Oldknow, (senior curator of modern and contemporary glass, The Corning Museum of Glass); Caroline Prisse, (director, Van Tetterode Glass Studio, Amsterdam, The Netherlands), and James Yood, (director, New Arts Journalism M.A. Program at the School of the Art Institute of Chicago)
2013 New Glass Review 34, published by the Corning Museum of Glass, Corning,
New York (Juried by Hank Murta Adams, (artist and glass studio creative director, Wheaton Arts and Cultural Center, Millville, New Jersey); Jeroen Maes, (artistic coordinator and curator, Glazen Huis, Lommel, Belgium); Tina Oldknow, (curator of modern glass, The Corning Museum of Glass); and Jutta-Annette Page, (curator of glass and decorative arts, The Toledo Museum of Art, Toledo, Ohio))
2011 New Glass Review 32, published by the Corning Museum of Glass, Corning,
New York (Juried by Diane Charbonneau, (curator of contemporary decorative arts, The Montreal Museum of Fine Arts, Montreal, Quebec, Canada); Richard Harned, (director, Ohio State University Glass Program, Ohio State University, Columbus, Ohio); Mark Zirpel, (assistant professor, Dale Chihuly Endowed Chair of Glass, School of Art, University of Washington, Seattle, Washington); and Tina Oldknow, (curator of modern glass, The Corning Museum of Glass.)
Permanent Collections
The Toyama Institute of Glass, Toyama, Japan
The Tacoma Museum of Glass, Tacoma, WA
The Museum of American Glass, Wheaton Arts, Millville, New Jersey
The Studio at the Corning Museum of Glass, Corning, NY
Kunstpalast Museum, Helmut Hentrich Glass Collection, Dusseldorf, Germany
AT&T Corporate Collection, Dallas, TX (An Apophenia Underground Collaboration) Pilchuck Glass School Print Collection, Seattle, WA
The University of Texas at Arlington, Art + Art History Department, Arlington, TX
Residencies/Fellowships
2017 Artist in Residence, S12 Studio, Bergen, Norway (June 5 – August 8)
2016 Artist in Residence, Toyama Institute of Glass, Toyama, Japan (September 26th – October 3)
2015 Artist in Residence, Tacoma Museum of Glass, Tacoma, WA (December 9 – 16) Artist in Residence Fellowship, Wheaton Arts, Millville, NJ (June 3 – July 15)
Artist in Residence, The Corning Museum of Glass, Corning, NY (April 27 – May 31)
Artist in Residence, West Texas A & M, Canyon, TX (April 2-9)
2014 Artist in Residence / Fellowship, Berlin Glas e.V. Berlin, Germany (June 1 – July 15)
Professional Awards/Grants
2017 Nominated for the Irwin Borowosky Prize, Philadelphia, PA
Nominated for the Louis Comfort Tiffany Foundation Award, NY, NY (pending)
2016 Nominated for the Irwin Borowsky Prize, Philadelphia, PA
Nominated for the Saxe Award, Pilchuck Glass School, Stanwood, WA
Nominated for the Irwin Borowsky Prize, Philadelphia, PA
Nominated for the Saxe Award, Pilchuck Glass School, Stanwood, WA
2014 Nominated for the Irwin Borowsky Prize, Philadelphia, PA
2013 Award, “Best New Art Movement of 2013”, Dallas Observer, Dallas, TX (An
Apophenia Underground Collaboration) Scholarship, The Pilchuck Glass School, Seattle, WA
2011 Award, Honorable mention, Seeing Seeing, juried exhibition, awarded by
Felice Frankel, New Haven, CT
Professional Academic Lectures and Panel Discussions
2017 “Subverting a Mandatory Arbitrary System of Rules” Issues in Glass Pedagogy: Curriculum and Career, presenter, The Robert M. Minkoff Foundation Academic Symposium at Urban Glass, New York, NY, October 12-14.
“How Professors Stay Current to Changing Art Scenes”, Issues in Glass
Pedagogy: Curriculum and Career, presenter, The Robert M. Minkoff Foundation Academic Symposium at Urban Glass, New York, NY, October 12-14.
2015 “Approaches to Glass Education for Undergraduates and Graduates” The Confluences of Art-Making Disciplines with Glass, presenter, Southeastern College Art Conference, Pittsburgh, PA, October 23.
“Artist Presentation” Emerging Artist Presentation (juried), International Glass Art
Society Conference, San Jose, CA, June 4
2014 “An Artistic Method: Two Non-Traditional Approaches to Glass” Exceptionally Hard and Soft Meeting, presenter, DESY Particle Accelerator, Hamburg, Germany, June
28.
“Artist Presentation: Process”, PechaKucha, Ft. Worth Modern Museum of Art, Ft.
Worth, TX, April 22.
2013 “Utilizing Abandoned Real Estate to develop Artistic Growth”, presenter, TREC Associate Leadership Council, Dallas, TX October 12.
Visiting Artist Lectures/Presentations/Critiques/Demonstrations
2017 Lecture, Graduate Critique, Royal College of Art, London, England
2016 Lecture, workshop, undergraduate and graduate critique, Toyama Institute of Glass, Toyama, Japan
2015 Lecture, Graduate Critique, Virginia Commonwealth University, Richmond, VA Lecture, Bowling Green State University, Bowling Green, OH
Lecture, Demonstration, CGCA Weekend, Wheaton Arts, Millville, NJ
2014 Demonstration, DMY International Design Week, Berlin, Germany
2013 Demonstration, Berlin Glas e.V., Berlin, Germany
Lecture, workshop, undergraduate critique, Visiting Artist, University of South
Alabama, Mobile, AL
2010 Lecture, demonstration, University of South Alabama, Mobile, AL
Curatorial Projects
2017 434_Glass Vol. 5, creator and editor of Annual Juried Publication
2015 434_Glass Vol. 3, creator and editor of Annual Juried Publication
2014 434_Glass Vol. 2, creator and editor of Annual Juried Publication CPR, The Lullaby Set, Arlington, TX (Group exhibition) Bildungsroman, Main Street Gallery, Dallas, TX (group exhibition)
Shadow Genics, The Lullaby Set, Arlington, TX (Solo Exhibition Christine
Heimmerman)
A Vulnerable State, The Lullaby Set, Arlington, TX (Solo Exhibition: Michelle
Pennington)
Negative Capabilities, Red Arrow Contemporary, Dallas, TX (An Apophenia
Underground Collaboration)
Deep Ellum Windows II, A series of pop-up exhibitions in abandoned spaces, Dallas, TX. February – May (An Apophenia Underground Collaboration):
Sheer Speed, solo exhibition, Art Beef (artist Collaborative)
Nothing Lasts, solo exhibition, Art Peña
Performance Artifacts, solo exhibition, Randall Garrett
SHAPE, solo exhibition, Randy Guthmiller
WHAT R U WAITING 4 ME 2 SAY, solo exhibition, Pierre Krause
Expected Development, solo exhibition, Emily Peacock
60 Second Steinbeck’s, solo exhibition, James Michael Starr
Turbomeca, solo exhibition, Jesse Morgan Barnett
Kayla: Now and Then, performance, Kayla Escobedo
Brush Muscle, solo exhibition, Art collaborative Brush Muscle
Crane, solo exhibition, Mariko Spigner
Cast Off, solo exhibition, RE Cox
Foe da International Artist Only, solo exhibition, Mark Pieterso
(in)between, solo exhibition, Melissa Tran
Just Can’t Help But, solo exhibition, Shawn Mayer
2013 434_Glass Vol. 1, editor and creator of Annual Juried Publication
This Life Will Self Destruct in 10…9…8…, Berlin Becher Triennial, Berlin
Glas e.V., Berlin Germany
Deep Ellum Windows I - A series of pop-up exhibitions in abandoned spaces, Dallas, TX. February – May(An Apophenia Underground Collaboration):
American Redoubt, solo exhibition, Michael Mazurek
Zimmerplatz, solo exhibition, Stephen Lapthisophon
Compliance, solo exhibition, Hannah Hudson
She Was Long Gone, solo exhibition, Kristen Oppenheim
99 poem(s), solo exhibition, Laura Theobald
Oligotokous, group exhibition
Interaction, solo exhibition, Jesse England
Sprawl, solo exhibition, Joshua Hargrave
Published Writings
“Subverting an Arbitrary Mandatory System of Rules”, Issues in Glass
Pedagogy: Curriculum and Career, The Robert M. Minkoff
Foundation Academic Symposium publication, Urban Glass, New York, NY, 2017 (upcoming)
“Northern Outpost”, Glass Quarterly, Winter, 2017 (upcoming)
Selected Bibliography/ Publications
Hernandez, Michael, “An Interview with artist Justin Ginsberg”, GASnews, Volume 28, issue 3, Fall 2017.
Porter, Stella, “Justin Ginsberg Challenges Complacency in S12 Residency”, Glass Quarterly, August 2, 2017
https://urbanglass.org/glass/detail/justin-ginsberg-navigates-the-complexities-of-daily-life-
with-consideration
Canny, Sarah, “In an Experimental Mood, Traver features work by John Kiley and Justin
Ginsberg”, Glass Quarterly, August 1, 2016
https://urbanglass.org/glass/detail/traver-gallery-exhibits-john-kiley-justin-ginsberg-and- lino-tagliapietra
Drury, John, “When the Endpoint is Process”, Glass Quarterly, number 141, Winter 2015-16.
Silbert, Susie, “4 Takeaways from the Glass Art Society 2015 Conference”
http://craftcouncil.org/post/four-takeaways-2015-glass-art-society-conference
Thompson, Kim, “Fleeting beauty” Corning Museum of Glass, (blog) May 2015 http://blog.cmog.org/2015/05/20/fleeting-beauty-justin-ginsberg-and-yuka-otani-explore- unexpected-properties-of-glass/
Glass Quarterly: Hot Sheet. “PERFORMANCE: Justin Ginsberg Challenges the traditional in
Berlin Residency”, June 24, 2014
http://www.urbanglass.org/glass/detail/justin-ginsberg-challenges-the-traditional-with-new- installation
Beniac, Clara, “How I learned to love glass at Berlin Glas e.V.” Art Connect Berlin
(blog), December 19, 2013.
http://blog.artconnectberlin.com/2013/12/19/how-i-learn-to-love-glass-at-berlin-glas/ Paula Newton, “Performance Art is Back In!” Glasstire Magazine, August 5, 2013,
http://glasstire.com/2013/08/05/performance-art-is-back-in-events-for-those-who-need-a-
primer/
Peter Simek, “In Deep Ellum, Dallas’ Hottest Art Scene” D Magazine, July 2013
Escobedo, Lee, “Your Guide to 14 of Dallas’ Lesser-known Outlier Galleries” Dallas Observer(blog), July 15, 2013, http://blogs.dallasobserver.com/mixmaster/2013/07/relativly_new_galleri es_you
_sh.php?page=all
Danielle Georgiou, “Stretching Glass to its Limits”, Art and Seek, June 6, 2013, http://artandseek.net/2013/06/06/stretching-glass-to-its-limits/
Kate Stuckenberg and Catherine Anspon, “In the Studio: Ascendant Visualists”,
Papercity Magazine, May 2013.
Francis Giampietro, “Apophenia Underground’s Deep Ellum Windows” Glasstire Magazine, April 24, 2013, http://glasstire.com/2013/04/24/apophenia- undergrounds-deep-ellum-windows/
Duggan, Grace, “Opening: Justin Ginsberg’s ‘glass calligraphy’ debuts at Dallas gallery Saturday” Glass Quarterly(blog), February 17, 2011
Erin Starr White, “Sustenance 337 Singleton Blvd Dallas” Art Lies, A contemporary Art Journal,
issue 66, September 2010